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My films are becoming more and more difficult to relate and summarize in a few lines.
Fortunately, this difficulty has not been reflected in the work of the actors, or of the rest of the crew. I guess I enjoyed it more because the last shoot (Bad Education) was absolute hell.
In a revealing monologue, Pedro AlmodÃ³var talks about the making of Volver.
Shooting “The most difficult thing about Volver has been writing its synopsis.
Mixing genres comes naturally to me but that doesn’t mean it’s free of risk (the grotesque and the grand guignol are always a threat).
I have filled a vacuum, I have said goodbye to something (my youth?
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Rather it has a surreal naturalism, if that were possible. All of Sole’s attempts to hide the ghost from her sister, or the way she introduces her to her clients, give rise to very comic scenes.
Although what happens in Raimunda’s house (the death of the husband) is terrible, the way she struggles to keep anyone from finding out and the way she tries to get rid of him also create comic situations.